sharon horvath

A sense that the world is made of ether and nets, lights strung along sinuous lines, grids that superimpose slinky slips of implied form.

Sharon Horvath: Afterlife, 2002-09, pigment, polymer and collage on canvas, 68 by 76 inches; at Lori Bookstein.

…[T]he artist deals differently with space in the scale-shifting Nightbed(70 by 76 inches), 2002-09. Irregular, undulating, finely wrought black lines enmesh regions of grassy green and fleshy pink, and are anchored by white-spangled blocks of blue-black. The homey cradle of the title can also be read as an elevated view of a baseball stadium during a night game. The frame of reference leaps from intimate to public, domestic to civic, bassinet to coliseum. (Art in America)

Artist’s website here.



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